April 6 2013
Knockdown Center, NYC
7 channel sound installation over 2 floors
as part of group show Memory Palace
April 6, 2013 • 8:08 pm 0
A Ring of Recognition Echos Underground
January 17, 2013 • 11:59 pm 0
Close Enough. Out Of Reach.
On view at Eyebeam as part of the Annual Showcase.
Jan 17 – Jan 26 2013
2013
Materials: Custom Subwoofer, Hyper-Projector, Resonance Composition, Generative Disruptions
Filed under: Kunst
January 1, 2013 • 1:17 am 0
Conclusions
2012
for microphone and ungrounded 1/4” cable
performed at Experimental Intermedia, 1/1/13, ca. 1am
Filed under: Performance
November 26, 2012 • 8:33 pm 0
Non-place / Place – A sonic exchange
Ear to the Earth 2012
Non-Place / Place
A sonic exchange
Monday, November 26
Installation 2—8pm
Concert 8pm
Judson Church, 55 Washington Square South, NYC
Concept and realization by Daniel Neumann and Gill Arno
Local participants: Andrew Lafkas, Barry Weisblat, Ben Owen, Dave Ruder, David Galbraith, Jason Brogan, Jennifer Grossman, Madeleine Shapiro, Richard Kamerman, Theres Wegmann (graphic design), Tyler Wilcox, Wolfgang Gil (programming).
International participants: Alan Courtis (Argentina), Bernd Schurer (Switzerland), Ernst Karel (U.S.), Estherb (Canada), Gil Sanson (Venezuela), Gilles Aubry (Switzerland/Germany), Jason Kahn (U.S./Switzerland), Joda Clément (Canada), John Grzinich (U.S./Estonia), Jordan Paul (U.S.), Martin Janicek (Czech Republic), Pali Mersault (France), Patrick Franke (Germany), Patrick McGinley (U.S./Estonia), Sebastien Roux (France), Simon Whetham (United Kingdom).
Filed under: Audio, Komposition
October 6, 2012 • 8:15 pm 0
Janíček Neumann – live at Spectrum
4-channel live performance
Oct 6 2012
Spectrum, 121 Ludlow, NYC
Martin Janíček & Daniel Neumann perform a 4-channel improvisation centered around the idea of expanding Martin’s custom built acoustic instrument through live-electronics.
Filed under: Audio, Improvisation
October 5, 2012 • 6:00 pm 0
Signal Flow Charts and Spatial Arrangement for Modular Collaborations
8 drawings as part of:
RENDER VISIBLE: THE EXHIBITION
October 2012
Hosted by Present Company
Brooklyn, NY
organized by Blonde Art Books in collaboration with Matthew Walker
Filed under: Kunst
September 17, 2012 • 11:00 pm 0
Garet Neumann – DOUBLE QUADROPHONIC DIPTYCH IN 3 MOVEMENTS
live octophonic performance as part of:
CT-SWaM, Launching Event at Eyebeam for CONTOUR EDITIONS – Installation
Monday, September 17 2012
Eyebeam
Richard Garet and Daniel Neumann
DOUBLE QUADROPHONIC DIPTYCH IN 3 MOVEMENTS – 11pm
DOUBLE QUADROPHONIC DIPTYCH IN 3 MOVEMENTS is a collaboration between Richard Garet and Daniel Neumann consisting of mapping out geometrical shapes with an 8-channel speaker system over Eyebeam’s vast Main Space. Each of them is using 4 speakers, symmetrically intertwined. The sound material that they created stems mostly from synthesized sources (analog and digital) and has then been exposed to various processes including filtering, layering, re-recording in different physical spaces or through modified media, speaker distortion, and others. These processed files provide each artist with a vocabulary with which they play out the speaker locations in relation to the architecture and to each other, extending the geometrical starting points into a complex spatial listening experience.
Filed under: Audio, Komposition
May 10, 2012 • 6:00 pm 0
ARNO GIL MÜLLER NEUMANN SCHUMACHER – Modular collaboration for Eyebeam’s Main Space
Opening reception: May 10, 2012 6PM*
Open to the public: May 11-12, 12PM-6PM
Eyebeam
540 W. 21st Street, New York, NY 10011
Within this collaboration, its participants were developing and experimenting with a hybrid between sound installation and live performance in Eyebeam’s Main Space. Some elements happened in real-time, others were programmed or generated algorithmically. The participants were engaging in a process of systemic composition, which used the space as an instrument, encouraging a “topological listening” practice. “Topological listening” means that there is no focus on sound elements themselves, rather, sounds call attention to the potential for meaning in their relationships to each other, to the space and to the individual listeners engaging with them. A collaborative approach to creating these environments highlights complex interconnections which can hardly be reduced to a single narrative.
Participants:
GILL ARNO (small sound sources as localized islets; and subjective documentation through recordings made by the audience)
WOLFGANG GIL (spectral response, custom spectrum analysis/synthesis software),
CORNELIA FREDERIKE MÜLLER (individual space, headphone sculptures),
DANIEL NEUMANN (feedback apparatus consisting of multiple microphones, filters and delays, as well as large speakers and speaker objects),
MICHAEL J. SCHUMACHER (live response, guitar/synthesizer processed through custom multi-channel sound system)
March 17, 2012 • 2:00 am 0
Rotation – Transatlantic Feedback
17. März 2012 / March 17 2012
12pm – 6pm (EST)
Cielo Club, New York City
18.00 – 0.00 Uhr (CET)
ASPN Gallery, Leipzig
–
mit / with: Gill Arno (NY), Daniel Fischer (L), Patrick Franke (L), Wolfgang Gil (NY), Kenneth Kirschner (NY), CFM (L), Daniel Neumann (NY), Keiko Uenishi (NY) and Chris Weinheimer (L)
Read the rest of this entry »
Filed under: Audio, Kunst, Performance
February 24, 2012 • 8:00 am 0
Chavez Neumann at Sentinel / Studio10
SENTINEL was a two night performance series in conjunction with Roundabout/UEBA at Studio10 gallery. David Schafer selected DSE, Neg-Fi, Richard Garet, and Maria Chavez with Daniel Neumann.
Chavez Neumann is a recent sound collaboration between 2 distinctly different artists with a shared interest in
unstable environments and situations. No information was exchanged between the 2 prior to the performance as a
method of embracing instability in practice.
Filed under: Audio, Improvisation
February 12, 2012 • 5:16 am 0
SOUNDCORRIDORS: Sound Engaging Architecture
Sunday, February 12, 2012 – Roulette, NYC
Sound Artists activate the unique acoustics of Roulette’s newly renovated 1920s Art Deco theater with multichannel spacialized sound. With speakers set up throughout the entire Roulette space, visitors are invited to wander freely during the event, creating their own sonic and spacial narrative.
with:
Daniel Neumann
Maria Chavez
Alfredo Marin
Zeljko McMullen
Doron Sadja
Tristan Shepherd
Mario Diaz de Leon
Ben Vida
Sabisha Friedberg
Filed under: Audio, Komposition, Performance
February 3, 2012 • 7:47 pm 0
An evening of modular collaborations
Feb 9 2012
7:30pm
The Tank, NYC
as part of the Eavesdropping series
curated by Guy Barash
Participants:
Gill Arno, Patrick Franke, Richard Garet, Wolfgang Gil, Andrew Lafkas, David Moscovich, Daniel Neumann, Ben Owen, Ole Schmidt, and Chris Weinheimer.
The group will explore collaborative strategies of composing and performing sound and visuals based on the idea of modular organization. Pieces are developed in non-hierarchical and decentralized forms where collaborators interact as equals. The modular structure is reflected less on the technical level but primarily on the level of collaborative formulation of ideas and its execution.
All shows to take place at 7:30 pm at the Playroom Theater 151 West 46th Street, 8th floor
Tickets are $10 at the door / $8 online
Buy tickets for Eavesdropping on Brown Paper Tickets
http://www.thetanknyc.org/
Read the rest of this entry »
Filed under: Audio, Improvisation
November 28, 2011 • 8:46 am 0
Installation to launch closed.ws
Nov 28 2011
Santos Partea House
An incident had happened
These are the traces
The launch projected
The incident unclear
Closed_Installation_Nov282011_mp3 (download)
photos: Matthias Reinacher lights: Jeff Burton
August 27, 2011 • 5:09 am 0
Chavez Neumann: Improvised Resonance Compositions # 2-6
As part of the Clocktower’s Time Sync Audio Art Residency Program in the summer of 2011, artist Maria Chavez and her collaborator Daniel Neumann spent days and nights wandering the halls and chambers of the Clocktower Building with speakers, microphones, cables, turntables, and assorted audio gear. What they captured is represented here in a set of five acoustic portraits colored by Chavez’s unique textures generated from unusual uses of the traditional record turntable and amplified through Neumann’s imaginative placement of speakers.
Filed under: Audio, Improvisation
March 25, 2011 • 8:12 am 0
Dulin Neumann – No Title As Opposed To Untitled #01
Dulin_Neumann_NoTitleAsOpposedToUntitled#01
NO TITLE AS OPPOSED TO UNTITLED // an electro-acoustic performance by Tucker Dulin & Daniel Neumann
PERFORMANCES AND RECEPTION // Friday March 25 2011 / 8pm
www.splatterpool.com
Their first duo performance will explore the possibilities of further expanding Dulin’s vast vocabulary on the trombone with electronic means.
Still improvised, still lowercase.
Filed under: Audio, Improvisation
February 5, 2011 • 9:12 am 0
Santos is Closed
Visit this group at
http://groups.google.com/group/closed_information?hl=en?hl=en
January 21, 2011 • 8:03 am 0
Three sounds at 317 E 5th St
Installation by Katia Ritz, Florian Hauswirth, Daniel Neumann
Red House Gallery, 317 East, 5th Street, New York
Opening Reception:
January 21, 2011, 7pm to 9pm,
live performance by Daniel Neumann “Three variations on three sounds at 317 E 5th St”
January 22 to 27th 2011
The architectonic and acoustic installation “Three sounds at 317 E 5th St” focuses on the perception and cognition of the specific space and its existing sounds. Three expansive cones visually amplify the three most present sounds at the Red House Gallery in the East Village, while also creating an acoustical focus. The installation adapts to the existing structure of the room, which creates a unique intervention in the environment. Daniel Neumann is presenting recordings of the three sounds, which he will use exclusively for his live performance “Three variations on three sounds at 317 E 5th St” during the opening.
Filed under: Audio, Komposition, Kunst
October 5, 2010 • 10:54 pm 0
Modular Collaboration: following a workshop at Diapason Gallery
Performance by
Gil Houldcroft Moscovich Neumann Yadao _ Made Space
at Glasslands, Oct 5th 2010
Wolfgang Gil, grain generator (custom software)
Travis Houldcroft, laptop
David Moscovich, microphone, fiction, vocalization
Daniel Neumann, microphones, mixing board, recordings of Diapason
Tamara Yadao, generational speech synthesis
In this installation of the piece _Made Space the participants are working together for the second time to perform a composition. The first installation was the result of the first time running 5-day intensive workshop in Modular Collaboration that took place at Diapason Gallery, NYC in July 2010 (with Nisi Jacobs).
Read the rest of this entry »
Filed under: Audio, Komposition
September 24, 2010 • 10:06 pm 0
III. Discovery 2010
This page is taken out of the book “2010: Odysee Two” which I’m working on at the moment. After taking out page 87/88 the page was replaced with the wings of a brimstone butterfly I found dead on Europe’s longest train platform. Then chapter III. Discovery was glued together page by page.
Page 87/88 is part of the show The Black Door Files at blackdooristanbul, Istanbul, Turkey (Sep 24 – Oct 31 2010).
Filed under: Kunst
May 1, 2010 • 10:30 am 0
Demasking the Bridges
Soundwalk for Elastic City
Brooklyn Bridge Park (corner Main St / Plymouth St)
various dates during the summer season 2010
The soundwalk “Demasking The Bridges” explores the small triangle between the Brooklyn Bridge and the Manhattan Bridge in Dumbo. The soundscape of the area is mainly dominated by the traffic of the two bridges. By slowly oscillating between the bridges, crossing through diverse surroundings the group learns about and experiences the “Masking Effect”. Focusing on the weaker maskees and shifting the threshold of the masker with our movement slowly uncovers more and more sound events and acoustic arenas.
Filed under: Audio, Performance
March 26, 2010 • 1:43 pm 0
Frühjahrszug (Spring Migration)
Frühjahrszug is a collaborative piece by Patrick Franke, Daniel Neumann, Dave Ruder, Ole Schmidt and Chris Weinheimer. It is part of AlulaTonSerien and was performed at the New York City Electroacoustic Music Festival 2010
or download mp3 (19mb)
Filed under: Audio, Komposition
January 27, 2010 • 8:08 pm 0
unverandert stufig (subject unchanged) pt 02
a piece that didn’t qualify as microacoustic.
a turning mill, some filtering, like coffee, fair trade.
to download: unveraendert_stufig_subject_unchanged_pt02
pt 01 can be found here.
Filed under: Audio, Komposition
January 12, 2010 • 6:47 pm 0
AN ERROR OCCURED AS FAILURE GOT EMULATETED
November 15, 2009 • 8:22 pm 2
The Sound of 500 Speer 9 mm. Luger Shells & O Between Fans plus Modular Extensions
concert for stereo speakers, room microphone, computer and tape or other extensions
In the electroacoustic live concert The Sound of 500 Speer 9 mm. Luger Shells & O Between Fans two initial sounds are played back. The playback is recorded with a room microphone on to a multitrack sampling tool. The recordings are then played back, re-recorded and played back again and again.
Filed under: Audio
September 25, 2009 • 7:56 am 0
10ms – Perspectives on microsound
10ms
Perspectives on microsound
October 2009
Diapason Gallery presents current perspectives on the idea of “microsound”- a technical term and also a musical genre – in honor of the 10th anniversary of the .microsound.org mailing list (founded by Kim Cascone). 10ms features multi-channel installations, sound objects, performances, lectures, texts, and other media.
September 5, 2009 • 9:31 am 0
Franke Neumann Schmidt Weinheimer – Herbstzug 2009
Franke Neumann Schmidt Weinheimer
Herbstzug
2009
The ensemble uses clarinette, flute, computer and visual material to examine the autum birds migration. An electroacoustic composition with one open parameter by Daniel Neumann made from flute and clarinette samples forms the base from which Patrick Franke, Ole Schmidt and Chris Weinheimer, by playing their instruments live, create dynamics, densities, currents, knots and direction.
Das Ensemble untersucht mittels Flöte, Klarinette, Computer sowie visuellen Materialien den Vogelzug im Herbst. Eine elektroakustische Komposition mit offenen Parametern aus Material von Flöte und Klarinette bildet die Grundlage aus der Dynamiken, Dichten, Ströme, Knoten und Richtungen herausgearbeitet werden.
Filed under: Audio, Komposition, Performance
April 17, 2009 • 7:00 pm 0
Franke Neumann – Modul 2.4
Concert for glass plates, computer and room microphone
Konzert für Glasscheiben, Computer und Raummikrophon
Filed under: Audio, Komposition
February 7, 2009 • 8:54 pm 0
Innen & Auren
Published as a podcast on crónicaelectronica:
The piece INNEN & AUREN (Inside & Auras) is a mixed and edited version of the concert INNEN & AUßEN (In/-side & Out/-side) by Franke Neumann Schmidt Weinheimer, that took place as AlulaTonSerien.Konzert #35 at the New Building of the Gallery for Contemporary Art in Leipzig, Dec. 15, 2007. I edited it and translated the spatial experience of the live concert to this stereo version. The chronological order of the concert was kept, but condensed. No sounds or effects were added.
If you are interested in a copy of the handmade cd, please contact me, I trade those for feedback.
Filed under: Audio, Komposition
June 1, 2008 • 10:00 pm 0
Music for an Installation III
Music for an Installation III is an edit of the recordings I made in the 11 spaces of the former swimming stadium in Leipzig. See previous post. The demand was to make the room sound, not to make sound for the room.
Ein Zusammenschnitt der einzelnen Raeume im Inneren des ehemaligen Schwimmstadions in Leipzig.
als .wav zum Download: Schwimmstadion (84mb)
Filed under: Audio, Komposition
May 31, 2008 • 9:15 pm 1
Schwimmstadion: Schneller.Höher.Weiter.
I produced a composition of static sound for Axel Toepfer’s video installation in an abandoned swimming stadium in Leipzig. Each of the eleven different spaces within the building had its own static sound. Changes in the sound could be perceived by the listeners only when they moved through the space.
Filed under: Audio, Komposition, Kunst
April 26, 2008 • 9:04 am 1
Alula Ton Serien . Erkundung #01 – München
Alula Ton Serien was part of “Soundscape” (Apr 17 – May 31 2008) a project of Lothringer 13 gallery, based in Munich.
Patrick Franke, Daniel Neumann and Daniel Schiller, who are part of the Leipzig based sound art platform Alula Ton Serien, went on an acoustical exploration of Munich for three days.
Alula Ton Serien war Teil des Projektes “Soundscape” (17. April bis 31. Mai 2008) in der Lothringer 13 in München.
Im Zeitraum vom 22.- 26. April 2008 gingen Patrick Franke, Daniel Neumann und Daniel Schiller, drei Akteure der Leipziger Klangkunst-Plattform Alula Ton Serien auf akustische Erkundung in München.
April 17, 2008 • 8:30 pm 0
Franke Neumann Schmidt Weinheimer – o.T.
Concert for bass clarinet, bass flute, tape and sampler. Performed at Ahornfelder Festival 08 in Leipzig.
Stück für Bassklarinette, Bassflöte, Zuspielband und Sampler. Aufgeführt im Rahmen des Ahornfelder Festivals in Leipzig.
read more _ mehr dazu
Filed under: Audio, Komposition
March 9, 2008 • 8:54 am 1
Music for a secret installation II
During the work on the composition, Juan-Carlos Quindos sent me this photo and it shook me. As the piece developed, a strong connection between my work and his image emerged – in structure, texture and in content.
Filed under: Audio, Komposition
December 15, 2007 • 9:06 pm 1
Franke Neumann Schmidt Weinheimer
INNEN & AUßEN (IN/-SIDE & OUT/-SIDE)
The concert and installation piece was performed as the finale concert in the series AlulaTonSerien at the Gallery for Contemporary Art Leipzig.
The four performers created a set-up, which took place in three rooms inside the gallery and outside the gallery. Each of the four performers had his own position and function within the set-up and with each position a certain statement about being inside and outside of different acoustic arenas is made.
The set-up included: a microphone outside of the gallery (Franke, outside), speakers behind a glass wall, microphone in room 1, feed from Franke and computer (Neumann, room 1), speakers outside the gallery and in room 1, two headphones in room 3, microphone, sine wave generator, feed from Franke and computer (Schmidt, room 3), four speakers in room 1, one speaker outside the gallery, violin, bass flute with internal microphones and electronics (Weinheimer, room 1).
Filed under: Audio, Komposition, Performance
July 18, 2007 • 3:30 pm 1
Was sich verliert ist im Verlust gegenwärtig
Diplompräsentation in der Galerie Eigen+Art Leipzig
That which loses itself is present in the loss at Eigen+Art Gallery Leipzig:
Filed under: Audio, Kunst, Performance
July 18, 2007 • 1:07 pm 0
Was zukünftig war, ist jetzt vergangen
Die Ausdehnung der Erfahrbarkeit des Jetzt durch The Weather Project
Theoretische Diplomarbeit (pdf)
Filed under: Kunst
June 28, 2007 • 11:29 pm 0
Jackie Bruce
Das Jetzt als Moment der Entscheidung.
Filed under: Audio, Jackie Bruce, Montage
June 27, 2007 • 8:00 pm 0
Jackie Bruce am Ende der Geschichte – Overview
Overview of shows in the program series:
Überblick über die Sendungen der Sendereihe:
Jackie Bruce am Ende der Geschichte
broadcasted at
Radiosendung bei Radio Blau 99,2, Leipzig
read more _ mehr dazu
Filed under: Audio, Jackie Bruce, Montage
April 20, 2007 • 8:16 pm 0
Franke Neumann: Modul 2_3
Concert for answering machine, tapemachine, two room microphones and computer. Performed by Patrick Franke (room microphone, answering machine, live electronics) and Daniel Neumann (room microphone, tape machine, live electronics) at Ahornfelder Festival 07 in Leipzig, Germany.
Performancekonzept für Anrufbeantworter, Tonband, zwei Raummikrofone und Computer. Aufgeführt im Rahmen des Ahornfelder Festivals 07 in Leipzig.
Filed under: Audio, Komposition
April 4, 2007 • 8:00 pm 0
Jackie Bruce – Radiotopophonie
Topographie/Topophonie
Eine Sendung der Sendereihe Jackie Bruce am Ende der Geschichte:
Das Rohmaterial, das ausschließlich aus Feldaufnahmen von Patrick Franke besteht wird von Jackie dezent elektronisch bearbeitet und im Studio von Radio Blau live montiert. Die Sendung ist Teil der Aufführung Variations IV von John Cage, die zeitgleich im Lofft stattfindet. Dort wird sie mittels eines Radioempfängers in Ausschnitten in die Veranstaltung Systemkritik-Materialausgabe Nr. 11 integriert. Die Ausführenden sind Chris Weinheimer, Ole Schmidt, Marc Ries, Jackie Bruce und Patrick Franke.
Filed under: Audio, Jackie Bruce, Montage
February 9, 2007 • 8:00 pm 0
Vom Fall N
Komposition/Elektronik: Daniel Neumann
Kontrabass: Simon Klingner
Filed under: Audio, Komposition
December 9, 2006 • 8:24 pm 0
Franke Neumann: Modul 2_2
Concert for two tapemachines, four roommicrophones and computer.
Performed at gallery Parismoskau in Leipzig, Germany.
Performancekonzept für zwei Tonbänder, vier Raummikrofone und Computer. Aufgeführt in der Galerie Parismoskau in Leipzig
Filed under: Audio, Komposition
September 1, 2006 • 3:05 pm 0
Music for a Secret Installation I
Da kann ich nicht viel mehr dazu verraten, als dass die Hauptfrequenz des Stückes auf eine der Raumresonanzen, des Raumes in dem die Installation stattfand, basiert.
download Music for a Secret Installation I (25mb)
Filed under: Audio, Komposition
August 19, 2006 • 10:13 am 0
474415 CT con Juan-Carlos Quindos
474415 CT is an audio-visual study of the sicilian city Catania at night. During three walks Juan-Carlos and me would pause on every site that one of us considered as somehow interesting.
474415 CT ist eine audio-visuelle Studie des nächtlichen Catania, welche aus drei Spaziergängen am 17., 18. und 19. August entstand. Juan-Carlos Quindos und ich hielten inne an Orten, die für einen von uns interessant waren und nahmen an diesen Orten auf.
Filed under: Audio, Komposition, Kunst
June 20, 2006 • 1:00 am 1
Jackie Bruce – Verzehnfachung
Tenfold Increase
Verzehnfachung was a part of Nachtschichten (Night Shifts), a radio project broadcasted on Radio LoRa Zurich. A catalog has been published by edition fink.
Radioprojekt im Rahmen der Nachtschichten auf Radio LoRa Zürich vom 19. Juni – 2. Juli 2006
Katalog zur Sendereihe erschienen bei edition fink.
Under the name Jackie Bruce I performed my montage pieces live from June 19-July 2 for a total of 60 night shift hours. The goal was to increase my output tenfold. Starting with pre-edited single pieces totally 6 hours, I re-mixed, -edited, -combined, -filtered, -folded and re-arranged 60 hours of concrète noise music. In doing so my emotional and conditional highs and lows became part of the montages.
The feature by Jörg Köppl:
Excerpt from Wednesday, June 21st 2006, around 5am.
download Nachtschichten Ausschnitt (33mb)
Filed under: Audio, Jackie Bruce, Montage
March 9, 2006 • 9:32 pm 0
Jackie Bruce – Ich brauche nur eine Minute
I just need a minute
Electro-acoustic live concert
The concert “I just need a minute” begins with recording one minute of radio, that will be used as the basis material for the entire concert.
Filed under: Audio, Jackie Bruce, Montage
February 1, 2006 • 8:00 pm 0
Jackie Bruce – Catania Tre, La Radia
Ray Italy präsentiert
Catania Tre
Mittels editierter Klänge des derzeitigen italienischen Radios kommentiere ich Marinettis 20 Thesen aus dem Futuristischem Manifest “La Radia”, welches im Oktober 1933 in Turin veröffentlicht wurde. Das Manifest entwirft eine für das Medium Radio spezifische Kunstform, pathetisch und utopisch – ähnlich manchem Popsong.
Filed under: Audio, Jackie Bruce, Montage
October 16, 2005 • 9:09 pm 0
Teemboosespinsteen Kompakt
Teemboosespinsteen Kompakt heißt, wir zwängen uns in eine viel zu kleine, abgrenzte Bühnenfläche, zum einen um die skulpturale Wirkung der Auftrittssituation hervorzuheben und zum anderen um dadurch zu interessanten Interaktionen genötigt zu sein, zum Beispiel im Zuge des Instrumentenwechsels.
Filed under: Audio, Improvisation, Performance, Teemboosespinsteen
October 12, 2005 • 8:20 pm 0
Jackie Bruce – Jahresabrechnung 05
Jubiläums-Mix zum einjährigen Bestehen der Sendung Jackie Bruce am Ende der Geschichte. Die 12 Sendungen, die jeweils 60 Minuten lang sind, benutzte ich als Ausgangsmaterial für die Jahresabrechnungsremontage und legte die einzelnen Sendungen auf 12 Tonspuren übereinander. Das Bearbeiten bestand dann darin aus der Klangflut Material herauszulöschen – zu demontieren. Was übrig blieb ist zu hören, wobei jeder Ton zeitlich exakt an der gleichen Stelle liegt, wie in der Original-Sendung.
Ausschnitt:
Erschienen als CD-R in sechzehner Auflage im handgefertigten Cover.
Filed under: Audio, Jackie Bruce, Montage
July 20, 2005 • 3:54 pm 0
Jackie Bruce – Radio On Essay
Bearbeitung, Remix und Re-Arrangierung des Cronicaelectronica-Samplers “Essays on Radio: Can I have 2 minutes of your time“
Veröffentlicht in Form einer Radiosendung, eines Live-Konzerts und einer CD-R.
Filed under: Audio, Jackie Bruce, Montage
